The dialogue in the poetic thought by Vasyl Stus.

Abstract

The article highlights the peculiarities of a dialogue in the lyrics by V. Stus, it makes emphasis on the author’s intentions for perception and comprehension. In the basis of the exploration is placed the judgment that as Vasyl Stus as a poet was formed under the influence of Taras Shevchenko’s, Pavlo Tychyna’s poetry, artists of „Executed Renaissance”. The poet took into account the achievements of the Western poetry of twentieth century, which he read in the original; he was fond of the latest trends in philosophy. The author argues that philosophical guidelines for Stus were French existentialists and artists Jean-Paul Sartre, Albert Camus. This determined his poetic world, resulting worldview thinking and lyrical-existential. According to M. Bakhtin, the author considers the text as an intersection others, polylogue with predecessors and contemporaries. In this case, the source text includes in a new text not in its original, and in passing through the prism of a recipient, because of the location, shape accuracy of the input depends on the perception of the reader.The attention is paid to the recipient of the poetic revelation. The paper shows that the dialogic relationship in the lyrics acquires another characteristics than the epic manifestation. Existential dialogue is traced in the poetry of different years, verses, that are marked with different influences. It's not about changing the speaker, but a soliloquy as a dialogue with the other person, as well as expectation of the reader’s creative perception.